Exploring Sensibility in Modern Indian English Drama

Authors

  • Vitthal V. Parab K.M. Agrawal college of Arts,Science & Commerce - INDIA

DOI:

https://doi.org/10.51611/iars.irj.v6i1.2016.55

Keywords:

Substantial Progress, Onslaughts, Globalization, Indian Sensibility Modern Age

Abstract

The Indian English Drama has developed as an important and versatile body of English Literature and has caught attention of the global audiences. It has made a substantial progress by encapsulating various issues that India has been facing from time to time. It finds its impetus from Indian sensibility, philosophy, myths and religious beliefs and attracted attention of the people beyond boundaries. When one goes through the history of Indian English Drama, one comes to know that it has made a little progress than Indian English Fiction and Poetry. Though Indian English Drama came to the scene before these above-mentioned genres but failed to keep pace with them because of some reasons. Unlike Fiction and Poetry, Drama cannot be restricted to reading only. It needs a theatre, an encouraging audience, effective dialogues, efficient actors and other stagecraft. Indian English Drama passes many phases and at last comes to a whole new range of playwrights who have left no stone unturned to give it its due place. The present paper studies Indian English Drama with all its flaws and highlights the contribution of Modern Indian English Playwrights.

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References

Iyengar, K R Srinivasa. Indian Writing in English. Sterling Publication Private Limited, New Delhi:2006.Print.
Karnad, Girish. Three Plays. Oxford University Press, New Delhi, 2009. Print.
“Introduction to Three Plays: Naga-Mandala, Hayavadana, Tughlaq.”ed. J.Dodiya, Prestige Books, New Delhi:2009. Print.
Naik, M.K, and Mokashi-Punekar, S., eds. Perspectives on Indian Drama in English . O.U.P., Madras: 1977. Print.
Shukla, Supriya. “Indian-English Drama: An Introduction.”Perspectives and Challenges in
Indian-English Drama. Ed. Neeru Tendon, Atlantic Publishers, New Delhi: 2006. Print.
Tandon Nivedita. “Street Theatre In India: Badal Sircar’s Countribution in the Form of Third Theatre”Perspectives and Challenges in Indian-English Drama. ed. Neeru Tandon, Atlantic Publishers, New Delhi: 2006. Print.

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Published

2016-02-08

Issue

Section

Peer Reviewed Research Manuscript

How to Cite

Parab, V.V. (2016) “Exploring Sensibility in Modern Indian English Drama”, IARS’ International Research Journal, 6(1). doi:10.51611/iars.irj.v6i1.2016.55.

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